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Upcoming

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Past

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Guests
Aria Danaparamita (Artist, Jakarta)
Dorothy Cheung (Artist, Hong Kong)
Hanadi Samhan (Urban Practitioner, Palestine)
Misha Zakharov (Author and Film Worker, Russia)

Organisers
Nicole Z. Zhang (Art Writer and Curator, Guangdong)
Qianrui Hu (Researcher, Hunan)

 

Graphic designer: Ning Jiang

Date: 2:30-7:00 pm, 21 February, 2026

Location: The Advocacy Academy, The Liberation Centre, 2 Beehive Pl, London SW9 7QR

Supported by the Edge Fund and The Advocacy Academy

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we apply the concept of “political kitchen” and invite socially engaged academics and artists who defy the logics of nationalism and state borders to engage in transnational, interdisciplinary conversation alongside collective cooking.

Led by
Ruohan Yu (Artist)

Curated by
Nicole Zihua Zhang


Date: 3:00-6:00 pm, 16 November, 2025

Location: House of Annetta, 25 Princelet St, London E1 6QH

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Participants are invited to explore the House of Annetta and the surrounding streets of Brick Lane. This is a three-hour, walk-and-paint workshop led by artist Ruohan Yu, inviting participants to observe, sketch, and take rubbings of the objects we encounter, tracing the textures of the buildings and the streets. Then we will bring the paintings back to the House of Annetta to reconstruct the space through personal or collective imagination.

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Artists
Amanda Moraes Teixeira (Brazil)
Bhawana Jain (India)
Bunga Yuridespita (Indonesia)
Po-Yun Kuo (Taiwan)
Siqing Zhan (China)

Curator: Nicole Zihua Zhang

 
Graphic designer: Ning Jiang

Date: 2:00-7:00 pm, 26 September, 2026

Location: Highgate Wood, Muswell Hill Rd, London, N10 3JN

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As part of the scattered-site exhibition-event In Between Zones – A London Art Guerrilla Tour, ‘Zones of Estrangement’ unfolds within Highgate Wood, an ancient woodland in North London. We approach this woodland not merely as a site but as an experimental ground—an interlocutor, a living stage upon which displacement, dislocation, and contemporary forms of spirituality are enacted. The participating artists activate the woodland as a negotiated yet interstitial space, where the “parochial domain of ‘others’” becomes sensorially tangible, relationally palpable and socially generative. The negotiation takes place between the artists and the more-than-human environment, while fissure signifies the precarious adventure of temporary spatial borrowing. The exhibited works frame displacement not as loss but as a condition for emergence; spirituality not as transcendence but as immanent encounter; and ecopoiesis not as restoration but as co-creation with the living forest.

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© 2026 In Between Zones

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